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尚品国际当代艺术展

来源:艺美视界 发布人:admin 人气: 发布时间:2024-01-22 16:37

  尚品国际当代艺术展

  Collection of Shangpin International Contemporary Art Exhibition

  展览时间:2024年1月24日——3月24日

  Exhibition Period: January 24 - March 24, 2024

  开幕时间:2024年1月24日

  Opening: January 24, 2024

  地址:尚品当代艺术馆

  Address:Shangpin Contemporary Art Museum

  策展人 :李卫忠 、杨永炘。

  Curators: Li Weizhong、Yang Yongxin

  参展艺术家:周晓冰、嘉山雅士(日本) 、李卫忠、马行云、徐浡君、张智、饶泓洁。

  Participating artists:Zhou Xiaobing、Jia Shan Ya Shi (Japan) 、Li Weizhong、Ma Xingyun、Xu Bojun、ZhangZhi、Rao Hongjie.

  展览执行:张凇玮、王柯棋、钟鑫。

  Exhibition Implementation:Zhang Songwei、Wang Keqi、Zhong Xin.

  艺术家语录

  说起现代艺术,普通人的第一反应可能会是西方的抽象思维的产物,或是带有晦涩意味的前卫构成和行为。不必观者完全理解,我说我的故事,你能懂最好,不懂的话正好说明我的高深,阳春白雪不正是孤高不群的最高境界吗?然而,我认为置身于这个信息科技极端快速发展的当代社会,无论是标榜什么前、后主义的绘画、装置、衍生品或是数字、影像作品,让人一瞥之后能够留下深刻印象的便是好作品。虽稍显偏激,但是人们没有更多的时间去理解作品的深层内涵,你的故事是你的,我在意的是在这个环境中,正好有与周围极其协调的艺术品,又是我喜欢的款,那才是我需要的,这便是成功了。看似简单极了,又是非常功利的,我觉得这就是大众的审美心理。所谓提高人们的审美意识,责任在艺术家,不产出垃圾作品也就不会让人把丑当作美,对观者来说只存在喜欢或不喜欢的选择,一个成功的展览应该是让人产生选择困难的作品集合体。云南昆明是我非常向往的地方,与一线大都市截然不同的是这里有最纯粹的民族艺术的根本、有着中国民族艺术走向当代艺术发展的良好土壤和空间。同时也会给中国当代艺术提出本土化,民族化,话语体系及文化立场一系列的思考的可能性。此次展览汇集了国内外优秀的当代艺术家。诸位同仁在绘画、陶艺、数字版画、影像等领域都有非凡建树。在当代艺术国际化语境的当下,民族艺术语言的融合会给作品带来全新的面貌。本次参展作品不拘形式,可谓耳目一新,有当代艺术绘画、陶艺、潮玩、数字版画、影像、纪录片......展览呈现的亮点在春天来临之际势必掀起一股昆明当代艺术的春风!可喜的是我们可以看到今天的昆明当代艺术正在崛起并焕发出新的活力!一大批社会新阶层人士内中的非主流职业艺术家正站在新一轮的起跑线上,讲述云南的故事、发出云南的声音,展示着云南的生活、云南的当代艺术!使当代艺术在文化立场上、方向上、审美趣味上提高大众的审美水平,净化人们的精神世界。不断实践、探索、研究艺术的规律和原理、推动当代艺术向前发展。在整个展览期间我们将围绕当代艺术的国际化语境、创作实践、审美观念等,从多角度举办数场当代艺术的学术讲座,面对面和大众沟通交流,让当代艺术走下神堂,让广大艺术爱好者及大众听得懂、看得懂、买得起。我们能够看到今天的云南,已经产生出具有一定的文化影响和竞争力的一大批优秀当代艺术家,他们具备了对话国际的能力和话语权!可喜可佩!

  嘉山雅士(日本)

  2023年12月9日

  When it comes to modern art, the first reaction of ordinary people may be the product of Western abstract thinking, or avant-garde composition and behavior with obscure meanings. It is not necessary for the viewer to fully understand, I tell my story, it is best if you can understand it, if not, it just shows my profoundness, isn't Yangchunbaixuexue the highest state of solitude? However, I believe that in this contemporary society where information technology is developing at an extremely fast pace, no matter what kind of paintings, installations, derivatives or digital or video works are labeled as pre- or post-post-apocalyptic, the ones that leave a deep impression on people after a glance are good works. It's a bit radical, but people don't have more time to understand the deeper meaning of the work, your story is yours, what I care about is that in this environment, there is a piece of artwork that harmonizes well with the surroundings, and it's my favorite, that's what I need, and that's what I need, and that's what I need, and that's what makes it successful. It seems very simple and very utilitarian. I think this is the aesthetic psychology of the public. I think this is the public's aesthetic psychology. The so-called raising people's aesthetic consciousness, the responsibility lies with the artists, not to produce garbage works will not let people take ugly as beautiful, there is only a choice of liking or disliking to the viewers, and a successful exhibition should be a collection of works that make people have difficulty in choosing. Kunming, Yunnan Province is a place I am very eager to visit, which is very different from the first-tier metropolis in that it has the root of the purest national art, and a good soil and space for the development of Chinese national art towards contemporary art. At the same time, it will also give Chinese contemporary art a series of possibilities to think about localization, nationalization, discourse system and cultural stance. This exhibition brings together outstanding contemporary artists from home and abroad. They have made remarkable achievements in the fields of painting, ceramics, digital printmaking and video. In the context of internationalization of contemporary art, the fusion of national artistic languages will bring a new look to the works. The works in this exhibition are eclectic and refreshing, including contemporary art paintings, ceramics, hip hop games, digital prints, videos, and documentaries. ...... The highlights of the exhibition are bound to set off a spring breeze of contemporary art in Kunming as spring approaches! Happily, we can see that today's contemporary art in Kunming is on the rise and has a new vitality! A large number of non-mainstream professional artists within the new social strata are standing on the starting line of the new round, telling the stories and voices of Yunnan, displaying the life and contemporary art of Yunnan! Contemporary art will improve the public's aesthetic level and purify people's spiritual world in terms of cultural stance, direction and aesthetic interest. Continuously practicing, exploring and researching the laws and principles of art, and promoting the forward development of contemporary art. During the whole exhibition period, we will focus on the internationalization of contemporary art context, creative practice, aesthetic concepts, etc., from a variety of perspectives to hold several academic lectures on contemporary art, face-to-face communication with the public, so that contemporary art down the hall, so that the majority of art enthusiasts and the general public to listen to, understand, understand, and affordable. We can see today's Yunnan, has produced a large number of outstanding contemporary artists with a certain cultural impact and competitiveness, they have the ability to talk to the international community and the right to speak! It is commendable and admirable!

  Jia Shan Ya Shi (Japan)

  December 9, 2023

  本期展览特点

  2024年昆明极具影响力的当代艺术展,此次参览的一个特点,是国际化视野,艺术是世界通行的沟通语言,透过艺术我们彼此理解。“打开”传统艺术的地理边界,参展艺术家共7人,分为老、中、青三代,最长的75岁,最小的23岁,他们当中有日本籍艺术家,有正在留学日本京都大学的,有国内艺术院校的教授,专家,学者,有国家级,省级陶瓷艺术大师,这样一个人才资源轨迹,浓缩和见证了共和国发展与改革开放四十多年艺术变迁的一个缩影,具有代表性,从作品中不难看出艺术主张、文化立场、本土性及话语体系,反映出云南当代艺术的一个特点。

  本期展览亮点

  当代艺术无边界化、作品形式风格多样化、直面懂与不懂、多地巡展持续时间长、潮流来袭扑面化、体现出生气、朝气、雅气之风;数字作品亲民化、一出手买得起、带得走;多场次公益性当代艺术美育及学术讲座亲民面向大众,体现艺术家的社会责任。

  本期展览形式

  当代艺术绘画作品59件,其中有日本现代书法、当代纸本,架上丙稀、油画,后未来主义综合材制,绝版木刻,日本岩彩画、绢本画、潮玩,数字复刻版画;当代陶艺作品30件;涵盖景德镇青花瓷、曲靖潦浒柴烧陶瓷、建水紫陶、昆明陶;影像单元:银盐套色摄影、七部人文纪录片,内容含盖艺术家传记文献影像、云南沧源岩画、佤族人文历史,风情,歌舞;有记录讲述中国当代艺术文化社区发祥地的昆明创库,千年潦浒陶瓷古镇,许多资料属国内第一次展示,影像在国际当代艺术展中较为普遍、也是构成一个展览的重要组成部分。

  本期展览艺术家

  本期展览艺术家介绍

  Introduction of participating artists :

  【嘉山雅士】(日本)号心斋,别署大璞堂主人、舍园居士。现居上海及东京两地。毕业于日本多摩美术大学。现为日本华人美术家协会理事、海上印社社员、上海楹联学会会员、秦汉会(日本书道团体)理事。

  Jia Shan Ya Shi (Japan) Number Heart Zhai, Department Da Pu Hall Master, House Garden Householder. He now lives in Shanghai and Tokyo. Graduated from Tama University of Fine Arts in Japan. Now he is a director of the Chinese Artists Association of Japan, a member of the Maritime Printing Society, a member of the Shanghai Couplet Society, and a director of the Qin and Han Association (Japanese Calligraphy Group).

  【周晓冰】中国美术家协会会员、中国陶瓷艺术设计大师、中国非遗物质保护协会陶瓷分会常务理事,中国西部陶艺文化中心主任、四川省美术家协会陶艺委员会名誉主任、《西部陶艺》杂志主编、历届中国西部陶艺作品双年展创始人、策展人,四川师范大学美术学院特聘教授、四川旅游学院艺术学院教授。

  Zhou Xiaobing, member of Chinese Artists Association, master of Chinese ceramic design, executive director of Ceramic Branch of China Non-Legacy Material Protection Association, Director of China Western Ceramic Culture Center, Honorary Director of Ceramic Committee of Sichuan Artists Association, Editor-in-Chief of Western Ceramic Art Magazine, All previous founders and curators of Western China Ceramic Works Biennale, distinguished professor of Academy of Fine Arts of Sichuan Normal University and professor of Art College of Sichuan Tourism Institute.

  【李卫忠】:当过兵、务过工、得过脑梗;会点写字、绘画、制陶、纪录片的当代艺术家、策展人。

  Li Weizhong: A contemporary artist and curator who has been a soldier, a worker, and a cerebral infarction.

  【马行云】云南省美术家协会陶瓷艺委会(原)主任;云南省陶瓷艺术大师;《陶瓷科学与艺术》编委会编委;《云陶》《中国四大名陶》《云南建水紫陶》作者。

  Yunnan Artists Association Ceramic Art Committee (former) director; Yunnan Ceramic Art Master; " Ceramic Science and Art " editorial committee; " Yunnan Pottery " " Four Famous Pottery " " Yunnan Jianshui Purple Pottery ".

  【徐浡君】"后未来主义"绘画艺术的创始人。代表作品为"KST系列油画、绝版木刻,“后意念”系列绝版木刻,极具先锋性.实验性.创造性。为国内外多家艺术机构签约艺术家。

  Xu Jun, the founder of " post-futurism " painting. Representative works for the " KST Series Oil Painting, Out-of-Print Woodcut, " After the Idea " series of out-of-print woodcut, very pioneering. Experimental. Creative. Contract artists for many art institutions at home and abroad.

  【张智】曲靖师范学院美术学院油画老师,毕业于云南艺术学院,进修于中央美院壁画系、油画系。垚哥陶瓷工作室、美术馆主创,作品多次获部省市级奖项,云南省万人计划首席技师,云南省陶瓷艺术大师。

  He graduated from the Academy of Fine Arts of Qujing Normal University and studied in the Department of Murals and Oil Painting of the Central Academy of Fine Arts. Yao Ge Ceramic Studio, Art Museum, the main creation, works won many provincial and municipal awards, Yunnan Province Million People Plan Chief Technician, Yunnan Province Ceramic Art Master.

  【饶泓洁】女,2000年出生,毕业于央美附中,2022年留学日本,就读于日本京都艺术大学,主修现代艺术、岩彩绘画。

  Rao Hong Jie, born in 2000, graduated from the high school attached to the central United States, in 2022 to study in Japan, Kyoto University of the Arts, Major in modern art, rock painting.

  部分参展作品

  《瞬No.16》,嘉山雅士(日本)

  《空瓶子》,李卫忠

  《破碎的记忆》,周晓冰

  《林荫道》,张智

  《白马》,饶泓洁

  《陶瓷作品》,李卫忠

  《S.C No.81》,徐浡君

  《古今多少事》,马行云

  艺术远不及生活重要,但如果没有艺术,生活就非常贫乏了。当代艺术已经进入到重新构筑新的语言范式的分析时代,所以它不是纯精神的,而是开放的、多层次的、大众化的。

  此次展览是多地巡展的第二站,随后将在云南民族博物馆等逐一开展,持续时间长达半年。为当代艺术的推广,文化宣传方面尽一份力,让昆明这座城市更美丽。

  有一种叫云南的生活、云南的当代艺术!相约尚品当代艺术馆,享受当代艺术带来的潮生活!

  艺术馆地址:昆明市官渡区东风东路145号(昆明尚品书院文创园区内)。

  开放时间:10:30-18:30(周一闭馆),上午截止到12:00,下午截止到18:00 。


责任编辑:admin